An opera about Black people, climate change and dub poetry. Lukumi is a fascinating show on so many levels. In the first place it puts Black people at the centre of the environmental debate.
Look at the conservation, outdoor recreation and environmental movements, and all one sees is a river of white faces. It is easy to assume from the images that there are no Black people in Canada. Lukumi puts the colour back into the environmental debates.
Starring D’bi Young as Lukumi, the opera is set in a post-apocalyptic world where humans have destroyed nearly everything. Lukumi, a reluctant warrior-goddess, must journey to the depths of the Earth to find the roots of the tree of life. It might be too late, but a seed from this tree could heal the planet.
Lukumi must conquer her own doubts, travel through a nucleared landscape and convince other animals to help her. And she must battle the black skins in the white masks. These are the soldiers hunting for bleeders, the few women who are still fertile, to restock the nuclear-ruined population.
The opera is also a journey through Black music. The live band shifts from African drumming, to gospel and to jazz. The melody and reggae beats of dub poetry weaves the whole thing together. The large cast are excellent singers. The music is co-composed by Waleed Abdulhamid and D’bi Young.
The opera is not all bleak. Humour comes from Daniel Ellis, as Anancy, a versifier, shape-shifter and unreliable giver of wisdom. The trickster admits that his words have to rhyme, even if it means that half the time the sense is left out. The sound-bite is what matters.
Lukumi is produced by Watah Theatre. The professional company ‘specialises in producing political theatre from a radical queer Black feminist lens.’ The founder is D’Bi Young.
Lukumi mixes African, Caribbean and Indigenous myths to create something uniquely Canadian. It is not the official myth of Canada as a happy land of multicultural people. Rather, the opera exposes how pollution, mining and fracking disproportionally affects Indigenous people in Canada. The opera is a call for environmental and social justice. It we don’t clean up the mess, in the end humans won’t matter. We will be no more.
The opera is at the Tarragon Theatre September 22-October 14, 2017.